Saga is a tale of star-crossed lovers. Literally star crossed. They’re on the opposite sides of a galactic war between two species. Marko has horns like a ram and spell-casting ability. Alana comes from a more technologically advanced race with vestigial wings. Guided by royal figures who have video monitors for heads (which makes them seem to be a third species), her faction appears to have the upper hand.
Magic versus technology isn’t the most original premise, but the quality of the writing does set this apart. The characters are contemporary, flawed, and insecure. Even the royal TV-head who is pursuing the couple is shown sitting on the toilet. Vaughan’s writing is humanizing and quite refreshing. The most endearing aspect of the story is the modern-day banter between the smart-mouthed, tough female and her big-hearted but somewhat naïve husband. I would describe it as Whedon-esque. If Saga wasn’t a sci-fi story, Alana would be a punk rock guitarist and Marko would be a street art muralist. Vaughan is best known for his series Y: The Last Man, which I loved but this, so far, has a much wider scope. I hear he also wrote for Lost, which makes me love him just a little bit more.
Some great world-building gone into this work. Vaughan and Staples have created a universe with species upon species of different people and things that make my eyes go wide every time I meet one. Winged humanoids, horned humanoids - they're just the start. The robots-with-TVs-for-heads are sinister and human; the war beasts and forest creatures are wild. The politics of this galaxy are at the same time simple (hatred, fear and greed) and deliciously real (propaganda, jealousy, magic).
No comments:
Post a Comment